page 25, 8.12.17, Salt Lake City |
The beginning of the 4th signature.
Page 26, 8.29.17, San Antonio |
With the following two pages i made a significant structural change in the drawings; i started with an eyes closed gesture, crossing the page a few times to create the 'skeleton' on which i would build the rest of the drawing. Most of the other drawings in this series respond far more directly to the maps themselves.
Page 27, 9.7.17, Philadelphia |
Page 28, 9.9.17, Phoenix |
Today the initial mark making combines blind gesture and 'deliberate' mark making. It is always a challenge to find an ending place. Sometimes it feels as if i could on until the entire page is a solid, dense black, my fingers usually give out before then.
Page 29, 9.12.17, Pittsburgh |
This is intended to be a daily work project, although with three major projects and life, that's just not working out so well. Today i decided to be a little more structured, more formal if you will. Today's lines were all deliberate responses to the underlying grid, with only a repeating parallel line as pattern.
Page 30, 9.18.17, Portland, Maine |
Yes, those repeating parabolas are meant to represent the Gateway Arch, and yes, it does indeed sway, or vibrate back and forth. Once more i used only repeating parallel lines.
Page 31, 9.19.17, St. Louis |
More parallel lines; this time connecting and changing until like Ouroboros they came back to connect.
Page 32, 9.20.17, St. Paul |
This is a very soothing, rather meditative project, something that i think we all desperately need in the turbulent times we are living through. Find something for yourself to keep calm, and of course, make art!
More later,
gail
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