LAW 137: Looking for America, part 4

Nope, no politics, although that would be easy to do; simply the fourth signature from one of my newest projects, Looking for America. Looking for America is my newest art journal project. I created the pages out of city maps found in the index of the 1954 edition of Hammond's Ambassador World Atlas. This is intended to be a daily work project. The formal structure hinges on two questions, have i been here? Questions answered with stream of conscious writing. Could i travel by water in my EV Tesla's Revenge, with zen doodle pen and ink drawings which play off the gird of the street maps.

page 25, 8.12.17, Salt Lake City

The beginning of the 4th signature.

Page 26, 8.29.17, San Antonio

 With the following two pages i made a significant structural change in the drawings; i started with an eyes closed gesture, crossing the page a few times to create the 'skeleton' on which i would build the rest of the drawing. Most of the other drawings in this series respond far more directly to the maps themselves.

Page 27, 9.7.17, Philadelphia

 Today, as in the last few days i have begun with a blind gesture drawing. I actually laid down 3 separate gestural lines, and yes, of course i looked in between gestures.

Page 28, 9.9.17, Phoenix

Today the initial mark making combines blind gesture and 'deliberate' mark making. It is always a challenge to find an ending place. Sometimes it feels as if i could on until the entire page is a solid, dense black, my fingers usually give out before then.

Page 29, 9.12.17, Pittsburgh

This is intended to be a daily work project, although with three major projects and life, that's just not working out so well. Today i decided to be a little more structured, more formal if you will. Today's lines were all deliberate responses to the underlying grid, with only a repeating parallel line as pattern.

Page 30, 9.18.17, Portland, Maine 

 Yes, those repeating parabolas are meant to represent the Gateway Arch, and yes, it does indeed sway, or vibrate back and forth. Once more i used only repeating parallel lines.

Page 31, 9.19.17, St. Louis

More parallel lines; this time connecting and changing until like Ouroboros they came back to connect.

Page 32, 9.20.17, St. Paul

This is a very soothing, rather meditative project, something that i think we all desperately need in the turbulent times we are living through. Find something for yourself to keep calm, and of course, make art!

More later,

gail

LAW 136: A New Altered Book Project

I can trace my renewed interest in art journaling/altered book projects back to my participation, first, in ICAD 2016, then, my ongoing continued participation in the Daisy Yellow group. A heartfelt shout out of thanks to Tammy Garcia for her tireless work, promotion and gentle guidance.

the second spread from Love Songs

Jerome, A Froggy ABCdarium, builds on the new work i  started  in Love Songs. In Love Songs, i made a deliberate decision to 'foreground' the figures from the original imagery; cutting around them to allow a new collage to build up behind and around them. Since all of the illustrations were framed it was an easy choice to build the text top and bottom.

page 1, A, 8.25.17, With the Help of Henri...

For Jerome i added a couple of new elements into the design mix. Structurally Jerome is an ABCdarium, an alphabet book, i am using parts of the original text of the story, as well as 'found' text about each letter to develop a  re-contextualized narrative.  I am building each of the spreads around an element of the original imagery, usually the figure of Jerome.

page 2, B, 8.27.17, Waiting Beyond....

 This journal is laid out so almost every letter has a double spread. The original book, Jerome, is a hard bound children's book from 1967(10.25 x 7.5") featuring a frog that wants to be a prince. The story is charming, the illustrations, rather psychedelic. Structurally my intention is to preserve the illustrations of the frog, building the collages around him, while maintaining some sort of narrative(however surreal) while proceeding through the alphabet. Unless otherwise noted, hand cut collage with found text.

page 3, C, 8.28.17,Common Sense

In this, the first appearance of Jerome, you see an unassuming, small frog. His appearance changes as he starts to realize his objectives.

page 4 D,, 8.29.17, She Hates....

 In this spread Jerome, although still at his pond is assuming a larger, more central figure; his text,'Hello old witch' is part of the narrative of this page. The witch, unhappy about being called an old witch decides to turn him into something ugly. He ends up a prince.

page 5, E, 9.1.17, An Epic Desire....

 In this spread Jerome, questions his 'prince-ness' ; his text,'am i.... I don't...' is part of the original narrative of this page. Technically one of the pages of each spread gets cut into, cut away, allowing parts of the 'backs' of the preceding page/collage to be yet another further back layer of the final imagery.

page 6, F, 9.2.17, A Few Words....

 In this spread Jerome, presents himself in a positive light, declaring his princely stature. The finger pointing of the right side practically created itself; i knew yesterday, (almost un-heard) in part how this narrative and imagery would go. Technically one of the pages of each spread gets cut into, cut away, allowing parts of the 'backs' of the preceding page/collage to be yet another further back layer of the final imagery.

page 7, G,  9.6.17, The Girls....

This spread proved to be particularly problematic; my own fault, as i completely forgot to pay attention to where the image of Jerome fell on the back of the page i was working on. Since there was a completed collage where i wanted to cut i had to find another work around. Technically one of the pages of each spread gets cut into, cut away, allowing parts of the 'backs' of the preceding page/collage to be yet another further back layer of the final imagery. Oops! 

It actually took three days of work to finish this spread to my satisfaction. Probably a little to long, but hey, what else do i have to do but watch endless weather updates regarding Irma; i mean, after all, i do live on a boat.

More later,

gail

LAW 135: The Art of Making Art

I know that a lot of people think that 'art making' is an inborn talent, that it is something you can not teach. There is some truth in that line of thinking, but also a fair amount of falseness as well.

It always looks wrong at the start

I think a more true statement would be; there exists in some of us an inborn desire to make stuff. That 'stuffness' could be making art, making music, being an incredible cook, a seamstress, the world of creative making is very large. For some of us that desire falls into the category of obsession, we are the makers, the creators of this world.

Working multiple colors at once

You can teach anyone the basics of design, the elements of style, the basic, nitty-gritty techniques of any media. You can not, however, teach the inherent love of making, the joy of creation. That, which is perhaps the most important part of the artistic equation, does have to come from within the individual.

closing in on the second shell division

I am not in any way deriding the importance of technique, practice and skill sets. After all, as we have been told over and over, practice does make, if not perfect, damn close. I've been watching the development of my needle work from this perspective.

Big decision, it is a horizontal piece

I'm about a quarter of the way through yet another major embroidery piece. Hopefully Grandmother Turtle will not take as long as the Firebird did. That of course remains to be seen, and is pretty much completely dependent on what choices i make as i finish the piece. Backgrounds, as i well know usually take far longer than the object.

Time to work on a different part

I start with a pattern that i have developed after research into related imagery; sketching out, then refining imagery until i have a drawing that i use to transfer the basic form of the design onto the fabric.

The log is complete

These pieces were originally a mix of quilted/embroidered work on blank backgrounds; as such i could not afford to mess around with free hand drawings. Once the basic outline is transferred to the fabric, i might sketch in rough ideas for important features, an example would be the shell divisions of the turtles back.

detail of log in progress

I choose a basic color palette. isolating that floss from my horde(less confusion that way as some of the colors are so close to each other that the only way to really tell is by number) than spend some time thinking about stitch forms. The way the color gets laid down, the patterning of the stitches, is all organic to the piece as it develops.

Yup, here is the part i think i could have done better

It is all a learning process, every single time. Almost always i find some thing about the piece that i don't like, that i wish i had done differently; but that is the process. That is the joy of making and learning and knowing that somehow, next time it will be better.

Wish i knew what to do with the background!

More later,
gail