Toledo, Oh, 5.14.17, page 9 |
This is a showcase of the second signature of my newest artist's book, Looking for America. To recap, I created the pages out of maps from the index of a 1954 Hammond Ambassador World Atlas. Text is stream of conscious, based on answering the following 2 questions, have i been here? and could i get my boat, Tesla's Revenge there, by water. Drawings are mostly zen doodle playing off the gird of the street maps.
Toronto, Can., 5.18.17, page 10 |
I try not to let one day's work influence the next, my goal, to simply draw until i feel that the drawing is complete. The structure provided by the map grids is sufficient.
This is about as unstructured as i get with my work. My background as a weaver/textile artist/bookmaker demands huge structure and preparation for success.
San Diego, Ca. 5.20.17, page 11 |
I can get pretty OCD about pre-planning. Just ask Mungo which one of us made a 'to scale drawing' of the Floating Empire and her components(during our remodel phase); and yes, all the parts were positionable.
San Francisco, Ca. 5.21.17, page 12 |
Some times it is nice to simply let go and play. It is all too easy to get caught with producing a beautiful object, instead of simply enjoying the process.
Shreveport, La. 5.22.17, page 13 |
Seattle, Wa. 5.23.17, page 14 |
Walt Nottingham, my first fiber professor(major hero), maintained that there two types of people, process and product. It is important to know which you are.
Trenton, NJ. 5.27.17, page 15 |
Troy, NY. 5.28.17, page 16 |
More later,
gail
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